“To his credit, Manav has six most iconic and revolutionary art projects in India this decade.”

Museum | Laboratory | arth – art for earth | Public art | Sustainable Development | Climate Change 
Water | Time | Beehives | River | Rain | Rainforests | Thought Experiments | Artist’s practice as the Excavated Travelling Museum.

making | public art

“He stuns the viewer with his originality of thought as he produces a cutting edge contemporary global language that he intelligently derives from the “local”, in his “excavations” of the spiritual philosophy of sustainable living as espoused in Indian scriptures, even as he brilliantly executes an organic engagement of art with architecture and space.”

– Times of India

Sculptures & Installations

Excavations in hymns of clay

Innovation. Scale. Climate Change. Sustainability.
Craft to Contemporary. Local to Global.  Taking art beyond art.

In this movement, earthen lamps (“diyas”), local cigars (“chillam”), earthen cups (“kullhar”), become metaphors and idioms of sustainability, context, perception and treatment of the rivers and waters of lands where the artist’s research and experience together form the story of ‘The River’, the ‘rain’, ‘The Beehive Garden’ and more. Finding new ways of repurposing the traditional to avant garde.

Urging people to think about how we live with and use water and Earth’s natural resources.

the Beehive Garden project

“Nature has a million answers. If one submits oneself to the form and the raw energy of the tree, one can see great poetry and lyricism in its intertwining branches and roots. Exciting, sensuous and intoxicating. Even when the tree can no longer bear fruits and leaves, or is cut, bleeds, idles in some corner, to be used or burnt down as wood, it affords an excellent laboratory to the mind. The creative process takes over thereafter, but it is only an ode to nature’s beauty.” – Excerpt, Artist’s Statement: Art for Earth series; 1996 -1997. 
Manav Gupta, Rain Rainforest and the Beehive Garden, Art and Sustainability, Climate Change, Environment Consciousness, Manav Gupta Artist, Installations, Paintings, Works, Indian Contemporary Art, Sculpture, Manav Gupta Sculptures and Installations

rain, rainforest and the beehive garden

“Manav Gupta affirms the age-old sanctity of earth and clay, assembling everyday objects made by potters from across India to create huge installations that convey hope, passion, and the journey and transience of life. Using just a few types of functional items—the diya lamp, the kullad tea cup, and the chilam smoking pipe—he succeeds in creating something contemporary yet timeless in its ability to tell a powerful story. Massed in their hundreds and thousands, these humble items gain new significance, as tradition reimagined makes an eloquent case for sustainable practices that respect the earth’s resources while transforming the familiar into something completely unconventional, unexpected, and magical.”

the river

"we're all clay.
dust to dust."

-manav gupta

the time machine

“With the first of its kind use of the potter’s produce of earthen cups to form the hourglass; the artist engages the audience with Time and its ethereal and transient passage. Clay, a naked, earth symbol of existence, resource and sustainability and the cup as the metaphor of Time’s limitedness draw us to explore how we use our resources.

The fragility of clay juxtaposed with the limitedness of the “cup of Time” draw an engagement to our waste, perception, passage and interface with Time and Life itself in a rapidly mechanised, capitalistic, consumerist human interaction with earth along our limited timelines of life.
The introduction of Light within, by the artist, celebrates the awakening of our consciousness and its potential of Hope.

This sculpture – installation is philosophical and spiritual, teasing subtle nuances of human intelligence and its emotional quotient on one plane, while at the same time, simple, elegant graceful and celebrating the public engagement with art itself – the exciting possibilities of the potters produce as evolved artistic practice made brilliantly simple by the artist for mass consumption.” 

the Bed

“With the ‘bed of life’ the artist espouses the fragility of human existence in the large cosmic timeline of the universe. The bed is of clay, like humans. As you stand in front of it, it makes you reflect and ponder. You can not use it without disturbing the design of the earthen lamps that symbolise droplets of water on the riverbed. The artist wants you to ‘stop a while… and dwell’. The profoundness of the thought stares at you as you cannot step on the bed for the purpose it is meant to be. You can only absorb it’s statement. In all its metaphors and idioms, it gives you a moment to ponder. Human life begins and end on the bed. The stream of river that emerges from somewhere deep within and flows seamlessly over, is a fountain of life – as a metaphor of how the creation of human life begins on the bed; as well as ends with the journey of the soul transcending from the physical to the eternal. And it’s entire timeline of human existence is but a nano microsecond of the microcosm that is not even a speck in the dust of the Universe.”

Noah's Ark

“The artist uses the symbolism of the Noah’s ark to underline the relevance of saving the world. A cycle of creation, un-creation, and re-creation, in which the ark plays a pivotal role. Noah’s ark is the artist’s juxtaposition of the story of Noah and his boat, etched in history for saving life on earth from doomsday, with the current World Order. The artist excavates his impression of how a buried museum might be discovered that houses the Noah’s Ark and the Time Machine and other such creations that hold secrets of sustainable living and how each one of us need to play a role in saving the wrath of Nature if we keep tampering with it. We are all clay and could all be the Noah to stop a while and protect our own; by adopting a safe methodology of sustainable living that takes the future generations of our own families and other species to an evolved and secure life through the consciousness of preserving our environment.”

Zen and the Shrinking River

Artist's Statement:

“as I scrape
the bottom of the soul
for some ingredients
the only way I can explain to myself,
about what it all is,
is to believe
that in some past life (if there is one)
I belonged to the rainforests.

The mantra there, for survival,
is to submit to the natural forces,
bow before it, respect its ways,
learn and grow.
You cannot defy it or go against it.


In the rainforests
there are labyrinthine dark nesses
weaving around you
but there is always light
in streaks, in a glow, in a stream, sunlight….
all of which brings HOPE.
You don’t bathe in it all the time but it
seeks you out.

Man is but a speck .
The human race, still a speck,
in this mighty Universe
rich with millions of secrets.
The rainforests teach you this.


When I paint or sculpt, all this translates
on my canvas.
I – the medium.
the lyrics of light,
apostrophe of white,
perception – sight, insight;
Rainforests and the romance of colors,
Earth. Water, Clay and the Universe.

Then – this world loses its meanings.
The larger one takes over
And I create.”


Just after his first solo in the spring of 1996, he wrote his artist’s statement, dipping his pen, just like his brush, deep into the labyrinthine crevices of light and shadows within the rainforests. Light for him, became ’hope’ and the colours – the all-encompassing landscape of earth. He revisits his artist statement every year as an annual ritual to fine-comb its core, and it has stayed with him for all of these twenty six years.

Paintings | featured series:

lyrics of light

“Manav Gupta’s art, facing both forwards and inwards, is a contemplation of spiritual and the natural communion. He has a precise understanding of color as the language with which nature tries to communicate meanings and values. For him color is a function of sight- implying a sun- like quality in the eye. Here then is a silent discourse on the music of colors. In this way, visually he works out notes and scales to produce melody and harmony. One can follow Manav’s development from color harmonies of great refinement even in his earlier work- on to a progressive liberation of light from the object, or perhaps the resolution of the object into light. Informed by profound intuition, Manav’s pictorial language emerges from and surmounts the creative process to exist objectively… “

Keshav Malik | Art Critic, Scholar and Curator

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Mega Murals

tree of life

11,500 Sq Ft of Total Painted Surface.
5,000 Sq Ft Glass Facade.
2D vs 3D.

A World Record.
Five floor high, tallest, largest, indoor staircase mural.

Library | A Bibliographic Index of Gupta's Journey

Childhood & Early Life

Nature | Early Childhood | Horticulture Garden | National Library of Kolkata | Academy of Fine Arts | Art and Literature. Culture.

Exploring multidimensional art forms.

Early life paintings and sketches. Poetry writing and recital. Published Essays. Painting competitions - 'Sit and Draw.'


Rainforests | Rivers | Trees | Haiku Poems. | Early focus on sustainable development.

"He's Different."

Birla Academy of Fine Arts, Taj Bengal, Taj Palace.

"seeing the unseen."
"earth series."
"India Awaiting - timeless metaphors of dreams."


Five elements - umbilical cords of earth, air, water, fire, space. | Man and Nature | Climate Change. | taking art for earth public.

'Plant a Sapling on my Canvas' | Short Films as Public Service messages - Commissioned by the Ministry of Environment and Forests.

Travelling Trilogy - First Edition. "Manav you've taken Muscat by Storm" | Digital Art Room Prototype | Copenhagen Wall of Hope


"Game changing Public Art Projects." "Hailed as Solo Biennale"

Tree of Life 11,500 Sqft | Rain, the Ganga Waterfront along Time Machine 45ft x 45ft x 60ft | Museum in a Mall, Yamuna Project. | Sculpture Garden Prototype| Half an Acre | arth - art for earth 27 Acres | City in a City Half an Acre | 20ft Tall Giant Tubewell. Museum of Water and Sustainability.