MANAV GUPTA | TWENTY-SEVEN-YEARS RETROSPECTIVE
1996-2023
Rainforests and the Timeless Metaphors of Dreams . Umbilical Cords of Earth Air Water Fire Space . Lyrics of Light. Apostrophe of white . Non Limiting Horizons . Intimate Whispers . Shoonya- From Beyond . Aqueous Dreams .
Non Limiting Horizons
“There have been critics who’ve praised him for his technique. But more often than not, what he has created has been the result of a storm within. His brush strokes have followed the dimensions of those restless stirrings. He is as close to nature as possible. All that he does comes from deep within. There’s nothing cosmetic about what he feels or what he does. Manav is Manav. Unique as ever. Truly. For, Manav’s quality isn’t just about a genius. It’s about how he feels and the shades of blue he seeks in the sky through his eyes. It’s about the grit and struggle of a man from humble circumstances. It’s about a man who hasn’t grown up breathing tinned air. It’s as easy as the flow of a deep river that meanders through a landscape and runs off to an unknown destination where it meets the horizon.” – Senior journalist Late Kingshuk Mukherjee, Essay; Excerpted in the catalogue at an auction by Christie’s, London.
l y r i c s o f l i g h t,
t h e r a i n f o r e s t s
n o n l i m i t i n g h o r i z o n s
“Informed by profound intuition, Manav’s pictorial language emerges from and surmounts the creative process to exist objectively. It is then that the instrument of a level experience that is communicable in terms that relate to the knowledge and wisdom of the inwardly attained. The artist’s technical know how, as a colorist, is not deployed for its own sake, but because his technique has its own meditative content.” – Keshav Malik.
“Marked for its philosophical leaning towards the cosmic matrix, the artist plays with color to build a texture and create well composed imagery. The palette in terms of its choice, mixing and rendering is built progressively to achieve a refined harmony and tonal quality that emanates a subtle light that heightens the visual appeal. Exploring nuances of light and color in delicate strokes, his nature inspired paintings create a poetic nuance and serenity around his creations.” – Sushma Bahl. (June 2008)
Umbilical Cords of Earth, Air, Water, Fire, Space
The umbilical cords of earth are a series where Manav explores man’s relationship with nature. He goes on to create multi-layered engagements of visual matrix that lure the viewer to think in a nonlinear manner while interpreting the visual dimensions of colour and form mating on the canvas. Starting with layers of abstract flow of colours to build an intricate pattern of colour palette that represents the five elements of nature, he builds several episodes of intricate diaphanous web of mystique and light interacting with each other. Upon this layer of abstraction he punctuates figures as organic breathing pulsating energy that gives and takes nourishment from nature. And rising rows of humans translate the seven energy chakras that form the basic human energy composition as referenced in different ancient texts. The rising diminishing rows of human activity across the abstract landscape become idioms of rising consciousness of energy. This development of a fine amalgamation of the figuration and abstraction that blend into each other create a new vocabulary as the signature style of the artist.
One of his earliest explorations of themes, this is a signature series of the artist where he challenges the viewer to break a preconceived visual expectation and engage with man and nature’s nurturing biorhythms of energy. It was born from the artist’s experiences of his late childhood where on returning from his school, he often rushed to the trees, and spent hours sketching them and felt deeply nourished in their company. The pain as a single parent child, and the rigours of supporting his mother for making ends meet for the needs of the family, were often healed by the foliage in the rich sylvan spread of the National Library campus, where he stayed. It was this rejuvenating bonding with the elements of earth that germinated as his expression of Umbilical Cords of Earth, Air, Water, Fire, Space.
Victoria Ross
Rainforests and the Timeless Metaphors of Dreams
‘I saw great poetry and lyricism in the roots, tree trunks and the barks of trees all around me. Sculpted forms of twisted branches that embraced the great banyan tree, triggered my imagination. And I sketched.’ The grammar – he learnt from The Academy of Fine Arts, under Masters like Rathin Maitra. The soul of art – came from his guru Vasant Pandit, the unsung Master. ‘He taught me to dream, ever so gently, of forests far away…where the sky remained elusive.’ That’s when Gupta used to imagine rivers and rainforests – the very essence and nectar of his art that was to become his creative juice for many years to come.
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'rainforest - the kaleidoscope' by Manav Gupta
43 x 57.5 Inches
Acrylic on canvas
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'rainforest - drenched in gold' by Manav Gupta
48 x 60 Inches
Acrylic on canvas
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'rainforest - the rising sun ablaze' by Manav Gupta
48 x 60 Inches
Acrylic on canvas
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"The use of colors is excellent… the work shows individuality. His work is an exploration of the amalgam of tangible and intangible
elements of nature.
The landscapes done by him go beyond the palpable, audible and visible, to that which cannot be touched, heard or seen."
- First City
"Manav has travelled a long way from having group and solo exhibitions in India and abroad, to making dedicated efforts that seek to create a consciousness on leading global issues through his artistic endeavours. Apparent in all his works repeatedly is his ideology. It may not be confined to the defined paradigm, but his personal dogma came across strongly in his paintings….its obvious that owning a slice of Manav Gupta’s oeuvre would be more than worth one’s while."
- EXPAT
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Rainforests and the Timeless Metaphors of Dreams
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Rainforests & Timeless Metaphors of Dreams
Widely exhibited as part of the artist's travelling trilogy series in London, New York, Amherst, Des Moines, New Delhi, Berlin, Pretoria, Cape Town. One of the artist's most distinct and sought after works from his signature rainforest series.
Curator’s Note ICCR:
Sublime and Sacred in the Works of Manav Gupta
It is difficult to draw your eyes away from any work of Manav Gupta who moves you with his ecstatic shade and light so profoundly that you do not know what to admire and what to leave out from mention. There is nothing that calls for lesser attention. You certainly hold your breath in admiration of the artist's emotion that exalts us all to ecstasy.
Nature and myth are the recurrent leitmotifs of Manav Gupta who handles them in his unique way. For him myth is real and spiritual. quite affirming what Clive Bell maintained in his art criticism, "....the emotion expressed in a work of art springs from the depths of spiritual nature." Manav succeeds to inspire intense aesthetic emotion in the spectator. Notice the depth of colour and the human forms in gay abandon on the trunk of the tree. Rarely do we find such an originality in the creative imagination of an artist.
Rainforests & Timeless Metaphors of Dreams
48 x 60 inches
Oil on canvas
Work from the Artist's Travelling Trilogy Series.
Private Collection, New York, 2016
SOLD
From the series of 'Umbilical cords of Earth'
Auction Results: CHRISTIES, London: SOLD
Pratham UK Articulate Catalogue, Page 33
As a critic wrote of Manav Gupta:
All that he does comes from deep within. There’s nothing cosmetic about what he feels or what he does.”
Truly. For, Manav’s quality isn’t just about a genius. It’s about how he feels and the shades of blue he seeks in the sky through his eyes. It’s about the grit and struggle of a man from humble circumstances.
It’s about a man who hasn’t grown up breathing tinned air. It’s as easy as the flow of a deep river that meanders through a landscape and runs off to an unknown destination where it meets the horizon.
From the series of 'Umbilical cords of clay', water, earth
60 x 48 inches
Acrylic on canvas
6TH September, 2010, LONDON.
SOLD
Non Limiting Horizons
Auction Results: Bonhams, London: SOLD
Catalogue page 120-121: Manav Gupta, captures the lyrical quality of light and colour in nature with equal ease in a variety of media. He is the recipient of the inaugural Sanatan Puraskar for Fine Arts 2006. He was commissioned by the - President APJ Abdul Kalam for interpreting his poems in paintings, now a book "The Life Tree" published by Penguin. Nominated on the Expert Committee for the National Republic Day celebrations he was commissioned by the Government of India to make a series of short films on the environment. His work is included in the permanent collections of the Chitrakala Parishad, Bangalore, the Birla Academy of Fine Arts, Kolkata; the Parliament, Rashtrapati Bhawan, New Delhi and the Victoria Jones Gallery, London besides several private collections across the globe. He has had numerous solo shows. Gupta paints and lives out of Delhi.
'Non Limiting Horizons' by Manav Gupta
60 x 36 Inches
Acrylic on canvas
11th June, 2007 | LONDON.
Lot No 75 : SOLD
Umbilical cords of earth, water, clay
Auction Results: Christies, New Delhi: SOLD
Catalogue Text: Manav is a watercolorist who combines strong poetic and narrative elements that make his work hugely compelling. He captures light and explores colour brilliantly with the most sensitive and delicate stroke play. He is one of the few watercolour painters today whose command of the medium and dexterity in exploring light and colour has fetched him rare critical acclaim from luminaries, critics and the media alike. His artistic journey began in 1996 in Kolkata at the Birla Academy followed by the Taj Hotels in Kolkata and Delhi. Besides other shows in London, New York, Melbourne and India, his works have been showcased at the Ministry of Culture, the Roosevelt House, residence of the American Ambassador (2000), US Embassy, Leela Palace, Bangalore, HSBC, Delhi and recently at the Rashtrapati Bhawan and the Victoria Jones Gallery, London. His works can be found in several private and public collections in India and abroad, including the Parliament,the Rashtrapati Bhawan, the permanent collections of Birla Academy, Kolkata, Chitra Kala Parishad, Bangalore, Victoria Jones, London.
Title: Umbilical cords of earth, water, clay
60 x 48 Inches
Watercolour on paper
December 2006, New Delhi
Lot No 35 : SOLD
Auction conducted by Ian McGinlay of Christies
Organised by Khushii
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Just after his first solo in the spring of 1996, he wrote his artist statement, dipping his pen, just like his brush, deep into the labyrinthine crevices of light and shadows within the rainforests. His soul’s penchant for Life being so remarkably drenched in an unsurmountable optimism, always made him look up to ‘light’, and thus it became a metaphor of ’hope’ for him ;and the colours – the all-encompassing landscape of earth. He revisits his artist statement every year as an annual ritual to fine comb its core, and it has stayed with him for all of these twenty eight years.
Artist’s Statement:
“as I scrape
the bottom of the soul
for some ingredients
the only way I can explain to myself,
about what it all is,
is to believe
that in some past life (if there is one)
I belonged to the rainforests.
The mantra there, for survival,
is to submit to the natural forces,
bow before it, respect its ways,
learn and grow.
You cannot defy it or go against it.
In the rainforests
there are labyrinthine dark nesses
weaving around you
but there is always light
in streaks, in a glow, in a stream, sunlight….
all of which brings HOPE.
You don’t bathe in it all the time but it
seeks you out.
Man is but a speck .
The human race, still a speck,
in this mighty Universe
rich with millions of secrets.
The rainforests teach you this.
When I paint or sculpt, all this translates
on my canvas.
I – the medium.
Hence,
the lyrics of light,
apostrophe of white,
perception – sight, insight;
Rainforests and the romance of colors,
Earth. Water, Clay and the Universe.
Then – this world loses its meanings.
The larger one takes over
And I create.” – manav gupta
It is perhaps the bonding with the elements of earth, that lights up Gupta’s paintings. Experts have often complimented his paintings to have a certain Turner like quality about them.
Noted art critic Keshav Malik writes: ‘Manav Gupta’s art, facing both forwards and inwards, is a contemplation of spiritual and the natural communion. And so, his images act as a vehicle of a visionary world that is itself the instrument of self-transcendence.
His disposition is towards invoking the inner world of the soul as the stage of divine imminence. He puts the medium to fresh creative tasks. Technically, as far as color and light goes, he is highly professional. Moreover he has a precise understanding of color as the language with which nature tries to communicate meanings and values. For him color is a function of sight- implying a sun- like quality in the eye. Here then is a silent discourse on the music of colors. – Keshav Malik
“Watercolours that stir your soul” – Cosmopolitan
‘Sounds, moods and rhythms have deeply affected the artist to give a brilliant sensitivity to his works’ That’s what makes them compelling, lingering long after the engagement”
– Art Critic Telegraph.
Working in watercolours earlier, he has now mastered the flow of his paint in acrylics and oils as well. He lets light meander through as magical, sometimes poignant, then vibrant, ethereal and passionate, to become a metaphor of survival and sustenance – a way forward. Almost like a call to action for healing – resurrection from the wildfire of the rainforests. There’s a palpable quiet mystery behind the works. – Kiran Grover, Inside Outside.
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Manav creates a colourful world of impressions and images of life, made-up of throbbing lines and changing colours.
THE ASIAN AGE
Equally at ease with oils and other media. An artist to the core.
OUTLOOK
Passion that’s patently obvious, in images of the rainforest, elements of nature and horizons;
INDIAN EXPRESS, BANGALORE
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“Manav Gupta is an artist with a difference…his paintings is often visually striking…
Sounds, moods and rhythms have deeply affected the artist to give a brilliant sensitivity to his works.
The Telegraph
“Colors express Manav’s best – at times soft and gentle almost ethereal and whispering while others suddenly burst into vibrant and passionate reds, indigos and yet again into somber and rich earth tones.”
Inside Outside
"Exuberant and Reflective. The artist has a fine sense of colour" - Art Critic, Economic Times.
Excerpt: “It is within an established tradition that the romanticism of Manav Gupta is expressed. For the delicate watercolours he exhibited at the Taj Bengal, belong to a genre of nature scapes that exploit the lambent fluidity of the medium for a language that’s poetic.
Exuberant or reflective. The artist has a fine sense of color. Allowing the wet paint to spread in thin stains so that the colours run over and into one another, he creates a symphony of subtle tones that seem to in a state of continual and accidental flux.
In some of the works the artist restricts himself to the gradations of a dominating shade or to a set of rhyming colours. Elsewhere, the contrast of cloudy blurs and dripping capillaries of paint insinuate dramatic happenings in nature. Gupta also displayed furniture made form tree-trunks and driftwood”
■ Rita Datta
Umbilical Cords of Earth, Air, Water, Fire, Space
“From probing the first principles of nature and thought, Manav’s art is about nature’s pre-eminence and earth’s universal truths. “Man’s existence, needs to align with the larger cosmic matrix,” says Manav. The physical interface of global warming, Man’s interference with earth’s natural ecosystems, disregard to environment consciousness by Man has all impacted the artist deeply over the years.
What is enticing is that he dips his brush deep into his intrinsic romanticism, puts it in context through his deep rooted faith and psyche of Indian spirituality and translates it all on his canvas in the language that’s metaphysical. Recently, in the artist’s creative journey, the influence of the present socio-cultural metamorphosis, where moral fabrics are eroding at the altar of manipulative social matrices and blatant consumerist environment is adding new dimensions to his art. It seems the protagonists of his canvas seek to break away from the shackles of this web towards “light” that is “hope”.
“Using his paintings and poetry, Manav has woven a subtle yet powerful experience that conveys the need for consciousness on
global warming and other environment issues. The exhibition entitled ‘Umbilical chords of earth, in the lyrics of light, within apostrophe of white, colours in sight’ clearly illustrates the artist’s deep love for nature. Manav is known for creating world-famous works of art on the theme of harmony between man and nature.” – Oman Observer
“Multidimensional expression. The elite gathering were enthralled to the artist poet Manav’s recitation of his poems and in the background his exquisite paintings spoke a language of the essence of nature and emotions.” – Deccan Herald
“He is at home with different mediums. Manav the poet and Manav the artist marry easily to create forms and shades. The poems only underline the aura of mysticism around the paintings. The shades are mingled deftly to evoke a sense of curiosity. all the paintings have one thing in common they glow with the artist’s fervour and energy…sensitive explorations of earth’s different hues…professionally too it has been a very rewarding experience. Manav has quite a few feathers in his cap…. Muse, Flight, Soar… Armed with a spirit like his, Manav is sure to soar.” – The Statesman
Non Limiting Horizons
Shoonya - from beyond
‘Here is evidence of a self-spiritualizing imagination, and wherein the painter is trying to integrate such wholes of experience as bring about our union with the essential reality. Through his external senses the painter is able to perceive the visible world. Through his internal senses he tries to perceive the microcosm, including the twin level of body and soul. The painter has a message to deliver to his ordinary self—a message concerning our deepest being. It means an awakening to a more elevated plane of living. From his “umbilical chord – rainforests, lyrics of light” to ‘Shoonya-from beyond” all of his oeuvre symbolizes an epiphany of the universe continually opening up from sacred source, the centre of the birth of life. An epiphany of which it is both an expression and symbol.’
Shoonya - from beyond
Review : Classic Feel, Leading Arts & Culture Magazine South Africa
He speaks in poetry and visual metaphor through installations and through paintings layered in watercolour, acrylic and oils, communicating in light and colour and lyrical form, all that he perceives in nature and how it relates to his soul. Features Editor.
Intimate Whispers
The chirping of birds
keep up
their intimate conversations
with me.
They hardly are loud,
just poetic,
silent
and yet so eloquent.
They come and perch quietly
in pristine moments of truth
when dawn descends,
or dusk elopes,
or when the lazy listless afternoon sleeps.
They never force themselves,
just happen
as punctuations
on twigs,
on rocks,
on grass,
bringing their far away stories wrapped in mystery and mystique, in intimate whispers,
gently filling the space
with their beauty.
Manav
“There is a web-like, diaphanous quality to Manav Gupta’s watercolors; ephemeral shapes are caught in shafts of colored light. A bird perches momentarily on an invisible branch. It does not seem like the bird will flyaway; but it could disintegrate into the forms from which it was made; or slip into spaces between colors.”
Patricia Grooves
New World Order – Mrityunjay
Lyrics of light
‘His works are mystical – very reminiscent of the landscapes of Japan that Murakami describes in his novels. This incredible use of haze is magical. All his paintings have this particular quality. They hide more than they reveal. His quality of expressing his creativity so poetically is what makes his rainforests, the sunsets, the non limiting horizons, all so outstanding , done with careful attention to detail’
Light and colour play hide and seek in his abstracts on nature and rainforests, as well as his earlier landscapes. From 4”x4” miniatures to giant 20ft canvases, Gupta deploys a distinctive sanctity of yellows, reds, oranges and crimson that negotiate the dark tresses of Pynes’s grey and Ivory black, the enveloping greens and hues of Burnt Sienna and Prussian Blue, leading the viewer effortlessly follow the light that it all creates. He captivates the viewer to follow the passages of his colour with intrigue and mystique.
Manav does not give maddening answers like the painting is what the viewer sees in it. Instead he is eager to share his vision, to enfold those who come, in the coordinates of his dreams. He rides along on words, images and music, taking the unspoken language of his paintings into films and performances This artist sees painting in a cascading vortex of rhythm, voice and dance. By painting to the cadence of poetry, the motion of dance and the exhilaration of music, Manav feels that he can encompass the scent, the spirit of the performing arts in image, on canvas … that this is a step toward a more universal and multidimensional concept of painting in our strange, modern world of colliding sensory stimulation. Who is this man who would, if he could, hold the whole world in his hands? I will not answer in the enviable superlatives of the critical press to date; or dwell on his creative empathy with the former President of India as· expressed in their illustrated volume of poetry, Life Tree; or overly remind you that he has sold at Christies… Instead I will go back to the garden.
Patricia Groves
Manav Gupta’s art, facing both forwards and inwards, is a contemplation of spiritual and the natural communion. And so, his images act as a vehicle of a visionary world that is itself the instrument of self-transcendence. His disposition is towards invoking the inner world of the soul as the stage of divine imminence. His work has undergone much development. The maturation is palpable.
Working in a wide range of installations, watercolors, acrylics, oils, sculptures and multi media, he puts the medium to fresh creative tasks. Technically, as far as color and light goes, he is highly professional. Moreover he has a precise understanding of color as the language with which nature tries to communicate meanings and values. For him color is a function of sight- implying a sun- like quality in the eye.
Here then is a silent discourse on the music of colors. In this way, visually he works out notes and scales to produce melody and harmony. One can follow Manav’s development from color harmonies of great refinement even in his earlier work- on to a progressive liberation of light from the object, or perhaps the resolution of the object into light. The artist has come to understand light as that from which the objects we see are made.
Informed by profound intuition, Manav’s pictorial language emerges from and surmounts the creative process to exist objectively. It is then that the instrument of a level experience that is communicable in terms that relate to the knowledge and wisdom of the inwardly attained. The artist’s technical know how, as a colorist, is not deployed for its own sake, but because his technique has its own meditative content.
Thus, and in sum, here is evidence of a self-spiritualizing imagination, and wherein the painter is trying to integrate such wholes of experience as bring about our union with the essential reality. Through his external senses the painter is able to perceive the visible world. Through his internal senses he tries to perceive the microcosm, including the twin level of body and soul. The painter has a message to deliver to his ordinary self—a message concerning our deepest being. It means an awakening to a more elevated plane of living. Finally, his “umbilical chord-rainforest” symbolizes an epiphany of the universe continually opening up from sacred source, the centre of the birth of life. An epiphany of which it is both an expression and symbol
- Keshav Malik | Padma Shri, Indian poet, Art and Literary critic, Arts scholar, and Curator
A child grew up in a horticultural garden in the heart of Calcutta. There, in the enchanted world of plants and flowers, the small child would run and play – and paint.
That child is now one of India’s top contemporary artists. There is a web-like, diaphanous quality to Manav Gupta’s watercolors; ephemeral shapes are caught in shafts of colored light. A bird perches momentarily on an invisible branch. It does not seem like the bird will flyaway; but it could disintegrate into the forms from which it was made; or slip into spaces between colors. I am lost in a crowd of people who have come to the exhibition on opening night and I am not taking notes; but I am listening to what is said.
Manav does not give maddening answers like the painting is what the viewer sees in it. Instead he is eager to share his vision, to enfold those who come, in the coordinates of his dreams. He rides along on words, images and music, taking the unspoken language of his paintings into films and performances This artist sees painting in a cascading vortex of rhythm, voice and dance. By painting to the cadence of poetry, the motion of dance and the exhilaration of music, Manav feels that he can encompass the scent, the spirit of the performing arts in image, on canvas … that this is a step toward a more universal and multidimensional concept of painting in our strange, modern world of colliding sensory stimulation. Who is this man who would, if he could, hold the whole world in his hands? I will not answer in the enviable superlatives of the critical press to date; or dwell on his creative empathy with the former President of India as· expressed in their illustrated volume of poetry, Life Tree; or overly remind you that he has sold at Christies… Instead I will go back to the garden.
One day, young Manav had to leave the garden to help his mother raise his little sister through difficult times. It was only when his sister was safely married that Manav could devote himself to his art – which he did heart and soul, like a lover finally re-united with the long-time object of his desire. Manav Gupta has the passion and drive of the once-thwarted visionary; he holds close the undaunted dream of the garden of innocence he left too soon, the Lost Paradise which he recreates every day with his paint brush.
- Patricia Groves | Cultural Theologist, Oman
“From probing the first principles of nature and thought, Manav’s art is about nature’s pre-eminence and earth’s universal truths. “Man’s existence, needs to align with the larger cosmic matrix,” says Manav. The physical interface of global warming, Man’s interference with earth’s natural ecosystems, disregard to environment consciousness by Man has all impacted the artist deeply over the years.
What is enticing is that he dips his brush deep into his intrinsic romanticism, puts it in context through his deep rooted faith and psyche of Indian spirituality and translates it all on his canvas in the language that’s metaphysical. Recently, in the artist’s creative journey, the influence of the present socio-cultural metamorphosis, where moral fabrics are eroding at the altar of manipulative social matrices and blatant consumerist environment is adding new dimensions to his art. It seems the protagonists of his canvas seek to break away from the shackles of this web towards “light” that is “hope”.
His watercolours sold out last year and he spoke about the process of his sensibility that awakens the nature lover in us. “As I scrape the bottom of the soul for some ingredients the only way I can explain to myself, about what it all is, is to believe that in some past life (if there is one), I belonged to the rainforests. The mantra there, for survival, is to submit to the natural forces, bow before it, respect its ways, learn and grow. You cannot defy it or go against it. In the rainforests there are labyrinthine darknesses weaving around you but there is always light in streaks, in a glow, in a stream, sunlight…all of which brings hope. You don’t bathe in it all the time but it seeks you out. Man is but a speck. The human race, still a speck, in this mighty universe rich with millions of secrets. The rainforests teach you this,” he states.
Is painting then a transcendental experience? Far away from the madding crowds of monetary markets? “When I paint, what transcend on the canvas are the hope and the power of the eternal truths of nature’s emblematic symbols,” he says. Adding, “Light, for me is — Hope and Colour — the Universe in which it exists.” This is when, for him, this world loses its meanings. The larger one takes over and he paints.”
- Uma Nair | Art critic, Historian
Pictured above: Manav Gupta painting on a Canvas.
Location: Amherst College – Campus Guest House.
Amherst, Massachusetts, USA
He is not what you traditionally know as an artist. An alumnus of Presidency College, Kolkata, Manav picked up the paint brush as a child in the serene, sylvan surroundings of National Library, Kolkata. In that sense, therefore, this young artist lived and grew up in the lap of heritage.
He always had a restless heart, one which died to try out things. And he would… Even as he made this journey, the canvas was never far away and the brush strokes matured. He studied painting under Shri Vasant Pandit, an unsung master. Manav often recalls how mesmerized he’d be as his guru would talk to him for hours. Manav’s parents took him to the master when he was a toddler, barely two years of age. Even at that tender age, the Master created an indelible impression on him. And from that day, till the time Manav left the city of his birth for Delhi, the Guru and his shishya vibed. They talked endlessly and painted together. It was as if two souls were tied in one string….
Today, Manav has grown manifold. His art has taken him to the zenith. He’s a name the world recognizes. All this because he’s spontaneous. His art comes from within. It has nothing to do with formal training. “My art is what I am. What I perceive. And what I look forward to. My art is my heart beat.” There have been critics who’ve praised him for his technique. But more often than not, what he has created has been the result of a storm within. His brush strokes have followed the dimensions of those restless stirrings.
He is as close to nature as possible. All that he does comes from deep within. There’s nothing cosmetic about what he feels or what he does.” Truly. For, Manav’s quality isn’t just about a genius. It’s about how he feels and the shades of blue he seeks in the sky through his eyes. It’s about the grit and struggle of a man from humble circumstances. It’s about a man who hasn’t grown up breathing tinned air. It’s as easy as the flow of a deep river that meanders through a landscape and runs off to an unknown destination where it meets the horizon. Manav is a product of nature. Hence, his love for the trees. Manav is about perception. Hence, his fetish for eyes. Manav is Manav. Unique as ever.
- Kingshuk Mukherji | Senior journalist
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