With the first of its kind use of the potter’s produce of earthen cups to form the hourglass; the artist engages the audience with Time and its ethereal and transient passage. Clay, a naked, earth symbol of existence, resource and sustainability and the cup as the metaphor of Time’s limitedness draw us to explore how we use our resources.

The fragility of clay juxtaposed with the limitedness of the “cup of Time” draw an engagement to our waste, perception, passage and interface with Time and Life itself in a rapidly mechanised, capitalistic, consumerist human interaction with earth along our limited timelines of life.
The introduction of Light within, by the artist, celebrates the awakening of our consciousness and its potential of Hope.

This sculpture – installation is philosophical and spiritual, teasing subtle nuances of human intelligence and its emotional quotient on one plane, while at the same time, simple, elegant graceful and celebrating the public engagement with art itself – the exciting possibilities of the potters produce as evolved artistic practice made brilliantly simple by the artist for mass consumption.”